![]() ![]() The smoother the fur the more colours will be reflected by the light and vice versa. One of the main things to keep in mind when painting black fur is the texture. ![]() It helps to have a soft bristled brush for this job if you want a very even blend to your background, as harder bristles will leave too many brushstrokes. The beauty of oils is the longer drying time in comparison to the acrylics, so once I have blocked in all of the background colours I then start blending them together.įor the blend I used a clean and dry flat brush and basically swirled the edges of each colour to blend them together. When I start with the oils I just begin by applying the colours very loosely and without blending. If you want a background that complements the colours in your main subject it can be a good idea to pick out some of the more subtle colours you can find there.įor this painting I have chosen to combine some of the greens and of the bamboo with the blues and greys that can be found in the black fur. I decided I wanted a blurred background in this painting to keep the main focus on the panda. I like to work in quite thin layers, so having an acrylic block in underneath helps me to put down quite a thin layer of oils without it appearing translucent and showing the white canvas underneath. This helps me to figure out where to position the main colours and it also speeds up the process. Step 1 – The Block-inīefore I start with the oils, I did a quick block in with acrylics to build a base layer. But, I always make sure to keep the window in my studio open whenever I am using oil paints. I have found that personally I am quite sensitive to the oil paints and oil mediums, but I have found that the low-odor solvent from Windsor and Newton doesn’t give me headaches. Remember if you are using oil paints it is best to do so in a well-ventilated space. Add some blue/grey highlights to the black furįor this painting I am using Daler Rowney Georgian oil paints and Winsdor and Newton Sansodor low odor solvent.Create an under-painting in oils to add the simple shapes of the fur.Paint a background that compliments the colours in your panda.I’m usually an acrylic painter but I’m really enjoying seeing what I can create using a new medium! Those who have seen me paint in acrylics before have said that I use them in a very similar same way that you would use oils, so my process is pretty much the same. For this piece I am using oils- I am still fairly new to this medium, this is only the third oil painting I have worked on. This medium allows her to relax and be free with the changeability of the material and exploration of color within the subjects she paints.In this blog I’m going to be sharing some of my tips when painting a panda or any animal with black and white fur. Although Zeng explores other painting mediums such as gouache, pastel, and digital, oil and canvas feels the most natural. Since then, Zeng has flourished in her artistic expression, finding her true passion in oil painting. Transformed by the experience, she decided to revisit her art practice and make it her career regardless of the obstacles she would face. In 2017 due to physical complications, Zeng had to leave the chemistry industry. In her twenties she obtained her Masters in Science from SUNY College of Environmental Science and Forestry in Syracuse, New York. Zeng’s interest in the arts started in elementary school, sparking her desire to create later in life. With a style between impressionism and fantasy, she explores the vividness of their spirit in saturated colors and organic forms. Zeng’s artistic practice focuses on oil painting, with her subjects mainly being mythical creatures and animals. Learn more Yue Zeng Yue Zeng is a Chinese-American self-taught artist, mother, and wife, who has been living in the United States since 2008 and currently resides in Woodbury, Minnesota. ![]()
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